
“Leaving Paphos Ringed with Waves,” a 2009 acrylic on canvas, is one of Cy Twombly’s art pieces on display at the Getty Center Aug. 2-Oct. 30. (photo courtesy of the Gagosian Gallery)
On view at the Getty Center Aug. 2 through Oct. 30, “Cy Twombly: Making Past Present,” explores the artist’s lifelong fascination with ancient culture through selections of work from different moments of his career, tracing a journey of encounters and responses with classical subjects and themes. This presentation also includes, for the first time in a public exhibition, marble and bronze antiquities from the artist’s personal collection.
One of the seminal abstract artists of the late 20th and early 21st centuries, Twombly (1928-2011) drew creative inspiration from Greek and Roman art, myth and poetry as well as archeological artifacts and ruins.
“The ancient cultures of Greece and Rome were a central point of reference and inspiration for Twombly throughout his career, living as he did for much of his life amongst the spectacular monuments and sculptures of the Eternal City,” said Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle Director of the J. Paul Getty Museum. “Twombly was more of a free-association poet than a scholarly antiquarian in the ways he found to translate the heritage of classical arts and writings into the artistic language of the postwar avant-garde, making the ‘past present’ in startlingly immediate, vigorous and original ways.”
This exhibition of large-scale paintings, drawings, sculptures, and photographs explores Twombly’s art from across his career through the lens of ancient Greek and Roman culture. Twombly avoided centers of modern art like New York, moving to Italy in 1959. There he engaged creatively with the legacy of antiquity, infusing his work with allusions to mythology, poetry and archaeology. By exploring the classical past, Twombly followed a long tradition in American and European art. His great contribution lay in linking his understanding of ancient culture to late-20th-century modernist practice, translating historically remote references into a bracingly contemporary artistic idiom.
Twombly was a reader of ancient texts and a student of mythology, poetry and philosophy. A frequent traveler and expatriate, he took inspiration by seeking out and living among centuries-old sites, monuments and artifacts. As an artist, he followed in the footsteps of famous predecessors back to the Renaissance, whose creative dialogues with antiquity conditioned his own.
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