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The J. Paul Getty Museum presents “Blurring the Line: Manuscripts in the Age of Print,” an exhibit running through Oct. 27.
Throughout the Middle Ages (approximately 500-1500), texts and images were disseminated primarily through handwritten and hand-drawn materials. In the 15th century, with the invention of new printing technologies, a revolution swept through Europe giving rise to a rich cross-fertilization between mechanical innovation and painterly tradition.
Including both printed and illuminated masterpieces, “Blurring the Line: Manuscripts in the Age of Print” challenges the assumption that printed media immediately replaced the production of handmade books, revealing instead a convergence of technology and artistry during the Renaissance.
“An innovation of the medieval world, print was a medium that grew and changed in response to those who created and consumed it,” said Timothy Potts, director of the J. Paul Getty Museum. “This is especially evident in the medieval and Renaissance periods, but the dynamic interaction between technology and artistic change is timeless, as we see in the transition from painting to photography, film to digital, and paper books to eReaders.”
In a world before print, text and images were manually copied in books and on panels by skilled artists, inevitably introducing variations. Exact replication was associated with divine intervention, perceived as a miraculous transfer of likeness through a saintly intermediary.
The printed image opened new and more straightforward possibilities for precise reproduction while drawing heavily on medieval conventions of composition, such as iconography, two-dimensionality, added color and portable size. Just as many different technologies overlap in the modern world, printing did not immediately eclipse all other forms of book art in the 15th century. It was a much more complex relationship.
Printers and illuminators readily shared ideas, frequently borrowing compositions from one another. Printers recognized the importance of enhancing their new products by imitating the craftsmanship in illuminated manuscripts, a form associated with wealth and prestige. Nevertheless, the illuminator’s skill continued to be valued by those with the means to commission luxury handmade books. As a result of the competition and coexistence of these two media, the 15th century saw an expansion of pictorial literacy and a new era of affordable images at the same time the art of illumination was pushed to new levels of creative achievement.
The exhibition includes a selection of handmade books produced in the centuries after the introduction of the printing press. They were treasured in religious, courtly, governmental and other exclusive circles.
The Getty is located at 1200 Getty Center Drive. For information, visit getty.edu/360.
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